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| In 1906 the contents of the
old lending library were moved into two rooms in the newly erected
Village Hall building at the corner of Pondfield Road and Kraft Avenue.
The imposing classical structure, designed by William W. Bates and W. W. Kent,
housed not only the Village offices and library, but also the police station,
post office, firehouse, a large auditorium, gymnasium, a bowling alley and
swimming pool.
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Support for the new library grew rapidly. A
Women's Auxiliary (a precursor to today's Library Friends) was formed for the
purpose of awakening interest in the library and to raise funds for purchasing
books. As a result of these efforts hundreds of books were added to the collection,
circulation increased dramatically and, by 1912, Village Hall had to be renovated and
the library space greatly expanded. It was in the same year that local artist George
Henry Smillie reflected: "I hope we shall see at no very distant day a beautiful
combined library and art gallery located here," a dream that would only be realized
some thirty years later. |
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| As the village grew, so did the needs of the Library and its
patrons. A 1926 report indicated that the number of volumes counted 12,795 and annual
circulation had risen to 35,572 (from 6,958 in 1906). At about the same time village
officials and public-spirited residents began to think about a civic center for
Bronxville that would eventually include Village Hall, The Reformed Church, The
Bronxville School and a separate Library building. Over the next dozen years land
was acquired, building design debated, and financing sought - the Four Corners as we
know it today, just steps away from the business center, was about to be realized. |
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Architect Harry Leslie Walker designed a beautiful
little building that was an adaptation of residential Georgian architecture with pine
paneling, oriental rugs, comfortable chairs and attractive draperies that added to the
home-like atmosphere. At the opening ceremonies on May 17, 1942, Library Board President
Ernest Quantrell proclaimed: "Today is Thanksgiving Day for the Library Board. Since
1907 we have been working and hoping for a home of our own. Our dream has come true." |
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| He went on to define the mission of the new building: "A library
should not only be a storehouse for books and a shelter for readers but also an influence
on the community. We hope the library will stimulate an interest not only in books and
architecture, but also in art and the other cultural fields." Paintings were hung in
various rooms that had been donated or given to the library by residents. An art
committee was formed to ensure the high standard of monthly exhibitions that were shown
in a room devoted specifically for that purpose.
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The Library is justly proud of its fine art collection.
Except for two small pictures by Hudson River School painters, the oils and prints in the
collection were executed between about 1890 and 1930, all by American artists. They
represent works by Bronxville painters and sculptors, who began to move to the village in
the late 1890s, and their colleagues, who were fellow National Academicians or were
affiliated with the same summer art colonies (Old Lyme, for example). The foundation of
the library's holdings comes from two major donations by former Library Trustees. Ernest
Quantrell gave a large group of Currier & Ives lithographs that graced the pine panelled
meeting room since the Library opened, and about a dozen oil paintings. William F. Burt
bequeathed twenty-six paintings and a sizable Japanese art collection to the Library at
his death in 1947. Generous villagers added to this impressive group throughout
the years. |
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| For the next fifty-six years, the library was enjoyed by many
patrons. The meeting room was the site of lectures, poetry readings and chamber-music
concerts, a dedicated group of volunteers mounted exhibitions ranging from Japanese
prints to American quilts to a history of the bicycle, and the book collection continued
to grow until it became necessary to discard a volume for every new one purchased. As
the twentieth century was drawing to a close, the Library Board was all too aware that
the building needed to be renovated and expanded - it did not comply with the Americans
with Disability Act, nor was it meeting the technological needs of the community. The
Children's Room was over-utilized and under-sized. The time seemed ripe to evaluate
the need for a renovation.
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With recommendations from a professional library
consultant, the Board set about to identify the needs of the Library for the coming
years. And, with the cooperation of the Village Trustees and input from local
organizations, a plan was developed. Funding for the project came primarily from the
December 1998 sale of Childe Hassam's Central Park, a painting bequeathed to the Library
in 1947 by William F. Burt. The painting was deemed too valuable to properly display and
maintain in the Library. Villagers were also very generous when asked to contribute to
the Furnishings Fund. |
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| Award-winning Westchester architect (and former Bronxville
resident), Peter Gisolfi, was hired to present a design scheme that was not only
sensitive to Harry Leslie Walker's original building but ADA compliant, technologically
advanced and innovative as well. Mr. Gisolfi added two brick-faced, slate-roofed wings,
each with a light-filled porch or reading area at the ends. The Pondfield Road entrance
no longer requires stairs for access to the building. The old basement meeting room was
replaced by the Board Room and the elegant Currier & Ives gallery that leads to the
handsome, 124-seat Yeager Community Room.
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The second floor gallery was enlarged to honor
William F. Burt and to allow the display of works by Bronxville artists in the
Library's collection. The Children's Library was doubled in size, and separate space
was designed with young adult readers in mind. The enlarged Staff spaces are
significantly more functional and attractive than their earlier cramped counterparts.
And throughout the building are well-lighted and attractive book stacks for patrons,
comfortable chairs for in-house readers, data ports for Internet users, paintings for
art aficionados and a wealth of ideas waiting to be tapped.
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